Reamp DI Guitar Tracks From Your DAW with the ARTcessories Dual RDB Interface

In this post, I’ll show you how to reamp DI guitar tracks from your DAW with the ARTcessories Dual RDB interface. If you haven’t tried re-amping your DIs yet, you’ll find a great way to see how your DIs can sound running through varied analog gear. If you’re looking for a different guitar sound, or a way to augment your mix with different gear, re-amping is a great solution.

Before we continue, please realize that much of this content is generalized because each DAW, re-amp box and recording chain is different. What works for me with settings, levels and gear will be inherently different for you in your studio. In this post, I cover what re-amping is and generally how to accomplish it.

17 February 2021 – Written by Michael R. Myers #mykmyrs

Tags: #reamp #reampbox #diy #guitar #pedal #amplifier #speakercabinet #cabinet #balancedsignal #unbalancedsignal #TRS #TS #daw

Skill Level: Advanced

What’s Reamping????

If you’re new to reamping, the reamp box converts a balanced, line-level signal into an unbalanced, instrument-level (think dry guitar) signal. For home recording, you can record a dry guitar signal into your DAW of choice so that you have a clean, unaltered source for a guitar track. Using this dry track, you can play it through your DAW, have the audio signal leave your USB audio interface and flow into the reamp box. From the reamp box, the signal flows into an amplifier input, just as if you plugged a guitar directly into the amplifier. You amplifier is then hooked into a speaker cabinet which you mic and then record back into your DAW. With me so far?

A major benefit of reamping is you can do multiple auditions of a guitar track with different amps and cabinets, recording them into tracks in your DAW, allowing you to compare and choose the perfect sound for your mix.

Have a look here at the Wiki article covering the re-amp concept for a lengthier read.

What You’ll Need to Get Started

Overall Recording Strategy (Before Re-Amping)

Before we can get started with re-amping, we need to record some dry guitar tracks, also called DI tracks, into the computer’s DAW. Once recorded, the clean DIs can be re-used whenever we want to re-amp them into different amps, cabinets or other analog hardware.

To capture DIs, I use a passive DI box that is connected to my analog mixer via XLR. I pan the channel 100% Left so that on the mixer’s output, the DI is always on the left channel of the signal pair. I always record DIs with the processed signal (that one is panned 100% Right in the signal pair). In my DAW, I use two tracks – one is for the DI only and one is for the processed signal only. So for each track, I have the unaltered DI source and the output source.

So at this point, get to it and record your DI tracks in your DAW. Make sure your input levels are gain-staged correctly and they are not clipping or otherwise distorted. You need quality DI tracks to reamp DI guitar tracks from your DAW to produce quality re-amped tracks.

About Configuring the Re-Amp Signal Chain

After you have some decent guitar DI tracks recorded in your DAW, we can set up the signal chain that sends the DAW output through the USB audio interface to the re-amp box and out to the external amp/cabinet. Typically a microphone would be used to capture the amp and cabinet output back into the USB audio interface to the DAW.

A point to remember here is that the DAW’s output of the DI track will be sent to the USB audio interface for playback. In order to re-amp, the DI tracks need to be converted from the audio interface’s line-level back into instrument-level signals. The re-amp box takes those line-level signals and converts them back to instrument-level so that the signal can be fed into analog gear properly. Without using a re-amp box, the signal sounds horrible and is not able to be used to feed into amps properly.

Depending on your amplifier situation, you may use an actual amplifier or a virtual amp to reamp DI guitar tracks from your DAW. I typically send the re-amped signal to an iRig HD 2 that is connected to my iPad Air 2. My amp is a software solution running on the iPad and the audio is sent out of the iRig interface via an instrument cable that I connect to my analog mixer with another passive DI Box. Using this setup, I do not need a real amplifier, speaker cabinet or microphone to re-create the signal-it goes directly into my mixer and USB audio interface.

Steps to Reamp DI Guitar Tracks From Your DAW

  1. Record your clean guitar DI track(s) in your DAW. Make sure they are gain-staged so that they are not too low or clipping.
  2. Unplug your left side output cable on the USB audio interface and insert the TRS to TRS (balanced) cable.
  3. Connect the TRS cable to your re-amp box’s input. If you have a gain knob on the re-amp box, you may need to adjust its application to ensure the signal entering the re-amp box is not too low or clipping.
  4. Insert a mono guitar cable (TS to TS) into the output of the re-amp box and into the amplifier’s guitar input jack. If you want to use an overdrive, tube screamer or distortion pedal, run the re-amp box output to the pedals first, then connect the pedal output to the amp guitar input.
  5. In your DAW, press play to audition the DI track. If you’ve done things correctly, you will now hear the DI audio coming through your amplifier.
  6. You may need to tweak levels at this point in the playback of the DI, the gain knob on the re-amp box, and so forth. I’ve found this part of the process can take the longest to get matched up.
  7. When you’re content with the re-amped audio, record it to a new track in your DAW with a microphone or another audio interface.
  8. When finished re-amping, disconnect the TRS cable from the back of the audio interface and re-connect your normal output cable.

Summary

If things went well, you were able to feed a DI guitar track from your DAW into a re-amp box and use a different amplifier/speaker cabinet to get a new sound out of the DI. Or, if you have several amps available, you can see which one works best in the mix by recording them all and comparing or combining them. If you’re like me, you also have amp sims on IOS devices that can be leveraged on the cheap to get you close to name-brand gear for pennies on the dollar.

If you would like to add to this content to help other folks, please contact me and let me know what you have in mind.

Create Impulse Responses with a DAW and EQ Plug-in

In this post, I’ll show you how to create impulse responses with a DAW and EQ plug-in. We’ll make an EQ profile of a guitar tone and then apply that profile to a clean impulse response in the DAW, resulting in a custom IR that can saved and be used whenever you like.

14 January 2021 – Written by Michael R. Myers #mykmyrs

Tags: #impulseresponse #ir #eq #TDRNovaGE #TokyoDawnRecords #equalizer #guitar #audioprofile #smartops #plugin #vst3 #au #daw #waveform11 #tone #sweep

Skill Level: Advanced

What You’ll Need to Get Started

In order to create impulse responses with a DAW and EQ plug-in, take a look at the following items you’ll need.

  • A clean white noise audio sample
  • A DAW that supports 3rd party plug-ins. In this post, I am using Tracktion Waveform 11 Pro.
  • Any EQ plug-in. I’m using a registered copy of version 2.1.3 of TDR’s Nova GE equalizer.
  • A dry guitar track
  • An audio sample of your target guitar tone to profile
  • A virtual amp simulator and an IR loader like STL Tones’ NAD IR

First things first

I am entirely a beginner at creating custom impulse response files and capturing equalizer profiles. This post is the result of research, trial and error and probably more luck than anything else during my first attempt. If I have misstated or written things that are not correct, please let me know and I’ll happily edit my erroneous information. My goal is to help others learn techniques to aid their music production needs.

Credit where credit is due

In order for me to get this far, I want to acknowledge the sources that have given me the motivation and information to complete my first EQ guitar tone profile. Without these folks, I would still be at step 0. Thank you for your work and information.

  • Andrew Wade’s YouTube Channel – This 35-second video is one of the best resources I have ever seen. This video was the break-through that showed me how to take my EQ capture and convert it into a custom IR file. Thank you, sir!
  • TokyoDawnRecords YouTube Channel – Have a look at the video “Introduction to Smart Operations in Nova GE and SlickEQ” at about the 6 minute mark to see how the presenter uses matching to try to get one microphone to sound like another that was used previously.
  • Resington’s YouTube Channel – Resington made his own impulse response and he listed a source where the author demonstrates how to make an EQ profile in Reaper. See below.
  • BGelais’ YouTube Channel – BGelais discusses the steps to make an EQ profile in Reaper with a Reaper plug-in. The concepts are transferable to other DAWs and tools for folks like me who do not use Reaper.

Create the EQ tone profile

  1. Create a new project in your DAW
  2. Add your audio reference sample to a new track. For guitars, it works best if you have as much of an isolated sample as possible, without other instruments.
  3. Add an instance of the TDR Nova GE plug-in to the audio sample track.Add-Nova-to-source-track.
  4. Record a new track of your dry guitar or load an existing DI file of your guitar that you want to transform. You’ll need to add an amplifier plug-in and IRs that get you close to your audio sample that you want to re-create.
  5. Add an instance of the TDR Nova GE plug-in to your DI guitar trackAdd-Nova-to-target-track
  6. Now that the source and target tracks are created, let’s work within Nova GE to extract the EQ profile of the sample.
  7. On your audio sample guitar track, open Nova GE and click the Smart Ops button.Click-Smart-Ops-button
  8. You’ll see the following screen. Click the Learn button and press “Play” in your DAW so that Nova can analyze your guitar tone sample file.Smart-Ops-Learn-Button
  9. When Nova as finished analyzing the source sample, the window above the learn button will display “LEARNED” and you will be able to see the outline of the EQ curve that it captured. At this time, let’s save it as an input reference by clicking REFERENCE, Use Learned Input as Reference. Close this instance of Nova to return back to your DAW.Smart-Ops-Learned
  10. On your target track, open Nova and click the Smart Ops button. When the Smart Operations window opens, click the LEARN button and profile your target track’s audio. When it’s complete, click REFERENCE, From Plugin Instance and choose the item listed, which is the Nova on your source track. Finally, in OPERATION, choose Static Match and click Apply.Target-Nova-Input
  11. Listen to your target track and you should be able to hear the EQ profile applied to it. Enable and disable Nova to be sure your curve is audible.
  12. Finally, the save the EQ profile in Nova GE to be re-used in the future,

Summary

In this post, we covered how to profile guitar tones with Tokyo Dawn Records’ Nova GE equalizer plug-in to re-create a sample guitar tone with a different guitar track. As long as you realize it won’t be exact and perfect, this process has the ability to help you sculpt a sound that resembles another.

If you would like to add to this content to help other folks, please contact me and let me know what you have in mind.

Click-Smart-Ops-button

Profile Guitar Tones with Tokyo Dawn Records’ TDR Nova GE Equalizer

In this post, I’ll show you how I was able profile guitar tones with Tokyo Dawn Records’ Nova GE equalizer plug-in. By making a profile of your favorite guitar tones, you can shape your own tone in your DAW to either resemble your favorite sounds or to use as a basis for a new, modified sound.

14 January 2021 – Written by Michael R. Myers #mykmyrs

Tags: #TDRNovaGE #TokyoDawnRecords #equalizer #guitar #audioprofile #smartops #plugin #vst3 #au

Skill Level: Advanced

What You’ll Need to Get Started

Before we can get started to profile guitar tones with Tokyo Dawn Records’ Nova GE equalizer plug-in, take a look at the following items you’ll need.

  • A DAW that supports 3rd party plug-ins. In this post, I am using Tracktion Waveform 11 Pro.
  • A registered copy of TDR’s Nova GE equalizer. I am using version 2.1.3 for this post. The free version will not provide functionality required for this tutorial.
  • A guitar or a dry guitar track
  • An audio sample of your target guitar tone
  • A virtual amp simulator and impulse responses

First things first

I am entirely a beginner at capturing guitar tones as equalizer profiles. This post is the result of research, trial and error and probably more luck than anything else during my first attempt. If I have misstated or written things that are not correct, please let me know and I’ll happily edit my erroneous information. My goal is to help others learn techniques to aid their music production needs.

Credit where credit is due

In order for me to get this far, I want to acknowledge the sources that have given me the motivation and information to complete my first EQ guitar tone profile. Without these folks, I would still be at step 0. Thank you for your work and information.

  • Resington’s YouTube Channel – Resington made his own impulse response and he listed a source where the author demonstrates how to make an EQ profile in Reaper. See below.
  • BGelais’ YouTube Channel – BGelais discusses the steps to make an EQ profile in Reaper with a Reaper plug-in. The concepts are transferable to other DAWs and tools for folks like me who do not use Reaper.
  • TokyoDawnRecords YouTube Channel – Have a look at the video “Introduction to Smart Operations in Nova GE and SlickEQ” at about the 6 minute mark to see how the presenter uses matching to try to get one microphone to sound like another that was used previously.

Create your own EQ tone profile

Summary

  1. Create a new project in your DAW
  2. Add your audio reference sample to a new track. For guitars, it works best if you have as much of an isolated sample as possible, without other instruments.
  3. Add an instance of the TDR Nova GE plug-in to the audio sample track.Add-Nova-to-source-track.
  4. Record a new track of your dry guitar or load an existing DI file of your guitar that you want to transform. You’ll need to add an amplifier plug-in and IRs that get you close to your audio sample that you want to re-create.
  5. Add an instance of the TDR Nova GE plug-in to your DI guitar trackAdd-Nova-to-target-track
  6. Now that the source and target tracks are created, let’s work within Nova GE to extract the EQ profile of the sample.
  7. On your audio sample guitar track, open Nova GE and click the Smart Ops button.Click-Smart-Ops-button
  8. You’ll see the following screen. Click the Learn button and press “Play” in your DAW so that Nova can analyze your guitar tone sample file.Smart-Ops-Learn-Button
  9. When Nova as finished analyzing the source sample, the window above the learn button will display “LEARNED” and you will be able to see the outline of the EQ curve that it captured. At this time, let’s save it as an input reference by clicking REFERENCE, Use Learned Input as Reference. Close this instance of Nova to return back to your DAW.Smart-Ops-Learned
  10. On your target track, open Nova and click the Smart Ops button. When the Smart Operations window opens, click the LEARN button and profile your target track’s audio. When it’s complete, click REFERENCE, From Plugin Instance and choose the item listed, which is the Nova on your source track. Finally, in OPERATION, choose Static Match and click Apply.Target-Nova-Input
  11. Listen to your target track and you should be able to hear the EQ profile applied to it. Enable and disable Nova to be sure your curve is audible.
  12. Finally, the save the EQ profile in Nova GE to be re-used in the future,

Summary

In this post, we covered how to profile guitar tones with Tokyo Dawn Records’ Nova GE equalizer plug-in to re-create a sample guitar tone with a different guitar track. As long as you realize it won’t be exact and perfect, this process has the ability to help you sculpt a sound that resembles another.

If you would like to add to this content to help other folks, please contact me and let me know what you have in mind.

Build a DIY Reamp Box

In this post, I’ll show you how to build a DIY reamp box from a tutorial I found on YouTube recently. If you’re reading this, you probably know what a reamp box is and why you would need one in your recording studio. You probably also know that the commercially available reamp boxes can easily cost $100 USD. Using some of your own skills and the provided materials list, you can make your own reamp box for around $25 USD. For me, it was not an option to spend so much money on a commercial product, so this post covers what I did to build a reamp box.

What’s Reamping????

If you’re new to reamping, the reamp box converts a balanced, line-level signal into an unbalanced, instrument-level (think dry guitar) signal. For home recording, you can record a dry guitar signal into your DAW of choice so that you have a clean, unaltered source for a guitar track. Using this dry track, you can play it through your DAW, have the audio signal leave your USB audio interface and flow into the reamp box. From the reamp box, the signal flows into an amplifier input, just as if you plugged a guitar directly into the amplifier. You amplifier is then hooked into a speaker cabinet which you mic and then record back into your DAW. With me so far?

A major benefit of reamping is you can do multiple auditions of a guitar track with different amps and cabinets, recording them into tracks in your DAW, allowing you to compare and choose the perfect sound for your mix.

07 December 2020 – Written by Michael R. Myers #mykmyrs

Tags: #reamp #reampbox #diy #guitar #pedal #amplifier #speakercabinet #cabinet #balancedsignal #unbalancedsignal #TRS #TS #daw

Skill Level: Advanced

What You’ll Need to Get Started

  • Watch this video on YouTube entitled “How to build a REAMP box and WHY you need one” by Life Harmonic. In the video description, he lists all of the components you will need to order to build the reamp box. The complete list is shown here in Step 1. Be sure to check the video’s comments if you have any questions because several common ones are answered there.
  • An electric drill and drill bits capable of making up to one inch holes. I purchased 2 step drill bit products from Harbor Freight for my cuts. This one is for the larger hole, this one is for the smaller holes.
  • A soldering iron and solder
  • Wire
  • Mounting hardware – screws, glue
  • A workbench vice to hold your aluminum box for drilling
  • Phillips head screwdriver
  • 3/8″ wrench
  • 8 mm wrench
  • Wire cutters
  • Wire clippers

Step 1 – Order your components

Here is the list of components you will need to order if you do not already have them on-hand to build a DIY reamp box. Since I didn’t have any supplies, I had to buy everything I needed for this build. I used the suggested list in the YouTube video where possible. I ordered the components in the beginning of December 2020, so the cost may be different for you when you order. I also had to use two different electronics supply companies due to inventory unavailability for some items at Newark. I am in the continental USA and had to pay $9.99 to each company for shipping, and each was received in 3 business days.

SupplierComponentCost (USD)Notes
MouserHammond 1550A case$5.91These were almost $1.00 cheaper at Mouser than newark
Neutrik NMJ4HF-S Plastic 1/4″ Jack$0.98The USA Newark website did not carry these, so I had to order from Mouser
NewarkBOURNS  LM-NP-1001-B1L  Audio Transformer$2.52
MULTICOMP PRO  MCF 0.25W 10K  Through Hole Resistor$0.08
BI TECHNOLOGIES/TT ELECTRONICS  P160KNP-0EC15A100K  Rotary Potentiometer$0.95
MULTICOMP PRO  1MS1T1B1M1QE  Toggle Switch$1.29
NEUTRIK  NC3FAV1  XLR Connector, 3 Contacts$1.61Use size 4 screws for mounting
OHMITE  1101-A  Knob, Round Shaft, 6 mm, Thermoplastic Elastomer$1.27I had to drill out with a drill bit to increase shaft diameter. I used a 15/64″ bit and gently worked the hole a SMALL amount to go just a hair bigger. A 1/4″ drill bit is too much diameter, so do not just jump up to a 1/4″ bit!
STELLAR LABS  24-16213  Audio / Video Cable Assembly, XLR Plug to 1/4″ 3P Plug$7.27Optional if you already have a TRS plug to XLR female cable
Lowes
Southwire 20-ft 14-AWG Stranded White GPT Primary Wire
$5.70
Hillman #4-40 x 1/2-in Phillips/Slotted Combination-Drive Machine Screws$1.28
Gorilla Glue Super Glue Tubes 2-Pack 3-gram Super Glue Clear Multipurpose Adhesive$3.98
Harbor FreightTitanium Coated High Speed Steel Step Bit Set, 2 Pc.$19.9912 Step Bit: (3/16 in., 1/4 in., 5/16 in., 3/8 in., 7/16 in., 1 /2 in., 9/16 in., 5/8 in., 11/16 in., 3/4 in., 13/16 in., 7/8 in.)

11 Step Bit: (1/4 in., 25/64 in., 35/64 in., 1 1/16 in., 13/16 in., 7/8 in., 1 in., 1-1/8 in., 1-7/32 in., 1-1/4 in., 1-3/8 in.)
Titanium High Speed Steel Step Bit Set, 3 Pc.$13.99Six Step Bit (3/16 in., 1/4 in., 5/16 in., 3/8 in.,7/16 in., 1/2 in.)

Nine Step Bit (1/4 in., 5/16 in., 3/8 in., 7/16 in.,1/2 in., 9/16 in.,5/8 in.,11/16 in.,3/4 in.)

Thirteen Step Bit (1/8 in., 5/32 in., 3/16 in., 7/32 in., 1/4 in., 9/32 in., 5/16 in., 11/32 in., 3/8 in., 13/32 in., 7/16 in., 15/32 in., 1/2 in.)
Supply List for Reamp Box Build

Step 2 – Measure your placement for pilot drill holes

You’ll need to mark four (4) initial spots for drilling. After those holes are drilled, you’ll drill two (2) more for the XLR jack mounts.

Starting from the top of the pedal’s face, there needs to be one hole for the XLR jack at 25mm down from the top, 17.mm from the left side. Under that hole will be two (2) holes for the potentiometer at 44.5mm from bottom and 10mm from left, 6 mm from right for the toggle switch. On the bottom of the pedal, we’ll drill the hole for the 1/4″ output jack centered at 13.5 mm from top. 17.5mm from left side.

Step 3 – Drill the holes in the box

I used a 1/16″ drill bit to make all pilot holes. Secure the box in a vice so that you are being safe while drilling the metal.

Drill the holes you marked in the previous step with the small drill bit. Now that there are starter holes, you can use larger bits or the step bits to make the holes to the proper size.

After drilling the four (4) main holes, you will need to drill two (2) pilot holes for the XLR jack. Carefully insert it into the metal box and use your pilot drill bit to find the spots for the XLR connectors and drill them from the inside out.

The XLR hole will need to be 7/8″ or 22 mm. The potentiometer hole is 5/16″ or 8 mm. The toggle switch is 1/4″ or 6 mm. The 1/4″ bottom jack (not pictured) needs to be 1/2″ or 12 mm. Finally, the two (2) XLR jack connector holes need to be 1/8″ or 3 mm.

Step 4 – Install the components

To build a DIY reamp box, start with the XLR jack. Mount it with two #4 screws.

Install the toggle switch and use a wrench to firmly tighten the nut.

Continue with the installation of the potentiometer and the 1/4″ plug and tighten with a wrench to secure them into the unit. You need to clip off the metal tab on your potentiometer if it has one, otherwise it will not mount flush against the box’s interior.

At this point, here’s what your reamp box should resemble.

If you ordered the same knobs as I have listed, you will have to drill them out a TINY amount so that they fit the potentiometer’s shaft. I used a 15/64″ bit and carefully made the button’s shaft hole a tiny bit wider. If you go too far, you can always place a small amount of duct tape on the potentiometer’s shaft to snug the button.

Here is my final build.

Step 5 – Solder the components to build a DIY reamp box

To simplify this post, I did screenshots of the original video since the original presenter filmed it cleanly and clearly.

  1. Solder two wires to the middle and right side of the potentiometer
  2. Glue the transformer to the potentiometer
  3. Connect middle potentiometer wire to Pin 1 of the TS Jack (right hand side pin at top of jack)
  4. Connect resistor to bottom of transformer and wind around the transformer pins. Clip excess resistor wire.
  5. Solder lower left side pin of TS jack to left side of resistor/transformer
  6. Solder right side pot wire to right side of resistor/transformer
  7. Solder Pin 1 of XLR to center of toggle switch
  8. Connect bottom toggle switch to the left hand side TS Jack pin (along with connection you already made in Step 3)
  9. Connect XLR Pin 2 to right of transformer
  10. Connect XLR Pin 3 to left side of transformer
  11. Solder XLR Pins 2 and 3
  12. Here is the final product after all connections have been made.

Step 6 – Test it

Plug L main out of USB audio interface into TRS to XLR cable. May be able to use the headphone jack output as well.

Plug XLR into reamp box

Plug TS into amp

Press play in DAW with dry guitar signal

Adjust level knob as needed. Flip toggle switch to eliminate any ground loops.

Did it work without any noise/interference?

Summary

If yo u’ve made it this far, and you’ve followed all of the steps, you should have yourself a very nice reamp box to use in your studio. In a few hours’ time, you’ve learned how to build a DIY reamp box and are ready to make your recordings shine with limitless amping possibilities. Thanks to the original YouTube author for presenting his creation and answering my questions along the way. Follow his channel and show your appreciation if you can.

If you would like to add to this content to help other folks, please contact me and let me know what you have in mind.

ASR-3

Tomsline ASR-3 Shaper Cabinet Simulator Effect Pedal

In this post, I’ll show you how I am using a Tomsline Aroma ASR-3 Shaper Cabinet Simulator effect pedal in my analog guitar effects chain to simulate some well-known guitar speaker cabinets. This pedal helped me solve an issue I had when I wanted to record a quick demo, but I didn’t have physical guitar cabinets to provide the output from my amps. In addition, I now have 11 guitar cabinets available to me to cover both clean and high gain situations. Let’s take a look at how I implemented a Tomsline Aroma ASR-3 Shaper Cabinet Simulator effect pedal in my studio.

04 November 2020 – Written by Michael R. Myers #mykmyrs

Tags: #tomsline #aromamusic #ASR3 #shaper #cabsim #guitarcab #guitar #hotone #heart attack #review #signalchain

Skill Level: Intermediate

What You’ll Need to Get Started

ASR-3 Shaper Pedal Features

Taken directly from the user manual, here are the features that the pedal offers and an overview of the controls available. SR-3_Page_2_reduced

Signal Chain Overview

I use a Hotone Heart Attack mini-amp head. This amp is only 5 watts, but it can really put out a decently strong signal. As an added bonus, it has a built-in effects loop send and return. You can also plug in headphones for silent practice, or a line out to your computer or audio interface. A point to understand here is that with headphones or a line out cable, all you’re going to hear is the amp’s raw output, which is pretty harsh. Hotone_Heart_Attack_Front

Since this is a true amp head, it expects to be hooked directly into a speaker cabinet with its Speaker Output connection. But with some amplifier know-how, we can send the amp’s output through the Effects Loop Send jack with a mono TS cable directly to the ASR-3’s input jack to simulate a real speaker cabinet’s output sound. Hotone_Heart_Attack_Rear

Now that the ASR-3 has received the raw amp output, we can select the cab we want to emulate and set its EQ knobs to our own personal taste.

Use the large white knob to move through the 11 amps available to you. There is also a volume knob and a color knob, which is a tone control.ASR-3

As you can see in the list below, the pedal offers a set of well-known speaker cabinet simulations. There are clean and high gain cabinets available to allow for a more dynamic experience, if desired.Cab_List-1

Finally, hook theASR-3’s output jack to powered speakers, a powered studio monitor or your digital audio interface and listen to the magic.

FYI – You can hear how the pedal’s cabs sound on some videos on YouTube. Most of the reviews are not in English, but that doesn’t really matter much since you’re probably looking to hear the output of the pedal anyway.

If you’re looking for other guitar and bass amp cabinet simulators, read my previous post where I showed the Valeton Coral Cab effect pedal.

Summary

We’ve covered how to use a Tomsline Aroma ASR-3 Shaper Cabinet Simulator effect pedal in your analog signal chain for your guitar amp. For people who may not want to use digital amplifier and speaker cabinet simulators, this pedal can provide similar capabilities with analog gear. By providing 11 guitar cabinets on one unit, you can get a lot of different sounds for one purchase price. If you can pick one of these units up used, I would highly recommend you do so.

If you would like to add to this content to help other folks, please contact me and let me know what you have in mind.

Valeton_Coral_Cab_Pedal

Valeton Coral Cab Effect Pedal

In this post, I’ll show you how I am using a Valeton Coral Cab effect pedal in my analog guitar effects chain to simulate some well-known guitar and bass speaker cabinets with impulse responses. The pedal has both guitar speaker and bass speaker simulations built-in with impulse responses, so you are not limited to cabs for only one instrument or the other. This pedal helped me solve an issue I had when I wanted to record a quick demo, but I didn’t have physical guitar cabinets to provide the output from my amps. In addition, I now have 14 guitar and 14 bass cabinets available to me to cover both clean and high gain situations. Let’s take a look at how I implemented a Valeton Coral Cab effect pedal in my studio.

02 November 2020 – Written by Michael R. Myers #mykmyrs

Tags: #valetoncoralcab #valeton #cabsim #guitarcab #guitar #hotone #heart attack #review #signalchain #ir #impulseresponse

Skill Level: Intermediate

What You’ll Need to Get Started

  • A guitar or bass amplifier head (NOT a combo or practice amp)
  • A Valeton Coral Cab effect pedal
  • A power source for the Coral Cab pedal (it does not use batteries)
  • A digital audio interface, studio monitors or powered speakers
  • A few TS cables to connect the components

Coral Cab Features

Taken directly from the user manual, here are the features that the Coral Cab pedal offers and an overview of the controls available.Features_from_Manual Controls_from_Manual.

Signal Chain Overview

I use a Hotone Heart Attack mini-amp head. This amp is only 5 watts, but it can really put out a decently strong signal. As an added bonus, it has a built-in effects loop send and return. You can also plug in headphones for silent practice, or a line out to your computer or audio interface. A point to understand here is that with headphones or a line out cable, all you’re going to hear is the amp’s raw output, which is pretty harsh. Hotone_Heart_Attack_Front

Since this is a true amp head, it expects to be hooked directly into a speaker cabinet with its Speaker Output connection. But with some amplifier know-how, we can send the amp’s output through the Effects Loop Send jack with a mono TS cable directly to the Coral Cab’s input jack to simulate a real speaker cabinet’s output sound.Hotone_Heart_Attack_Rear

Now that the Coral Cab has received the raw amp output, we can select the cab we want to emulate and set its EQ knobs to our own personal taste. The large switch controls the mode for guitar cabinets, bass cabinets or bypass. The guitar cabs are green, the bass cabs are red. You can bypass the unit entirely by holding the silver switch down for a few seconds. Valeton_Coral_Cab_Pedal

Use the Cab Type button to move through the amps on the A Channel. Press the A/B switch to change to the B Channel. The A channel will light the A/B switch a solid color. The B channel will make the A/B switch to a constant flashing light while on that channel.

Here is the list of amps that are available on the pedal. As you may see, there are some popular cabinets on the unit for you to take advantage of. And before you ask, the answer is “no” to you being able to load your own impulses on the pedal.Valeton_Coral_Cab_List

Finally, hook the Coral Cab’s output jack to powered speakers, a powered studio monitor or your digital audio interface and listen to the magic. I am very impressed with the impulse responses on the pedal. Would I use it to gig? I don’t know as I have never left my home to play, so you’ll have to be the judge on whether the Coral Cab would stand up to live performances. For my ears and my home studio space, this pedal is perfect for recording demos and getting a specific sound with the provided cabinets.

FYI – You can hear how the pedal’s cabs sound on some videos on YouTube. Most of the reviews are not in English, but that doesn’t really matter much since you’re probably looking to hear the output of the pedal anyway.

If you’re looking for other guitar cabinet simulators, read my next post where I showed the Tomsline Engineering Aroma ASR-3 Shaper pedal.

Summary

We’ve covered how to use a Valeton Coral Cab effect pedal in your analog signal chain for your guitar or bass amp. For people who may not want to use digital amplifier and speaker cabinet simulators, this pedal can provide similar capabilities with analog gear. By providing guitar and bass cabinets on one unit, you can get a lot of different sounds for one purchase price. If you can pick one of these units up used, I would highly recommend you do so.

If you would like to add to this content to help other folks, please contact me and let me know what you have in mind.